Added to the mix in this post-Covid edition were several portraits of mental health, including Causeway with Jennifer Lawrence as a returning Afghanistan war veteran with invisible wounds - and Laura Dern and Hugh Jackman as parents of a depressed teenage son in The Son by the French filmmaker Florian Zeller. It remains unclear if the film will receive an extended theatrical run before its Netflix premiere but it's bound to be one of the biggest international hits for the streamer when it debuts on December 23.įor cinephiles targeted by fall's more serious entertainments, some of this year's wintry dramas returned to classic award-season themes - war, political exile, repressed desires, and unresolved memories. But nothing quite shifted the energy and excitement at this year's edition than Steven Spielberg's Toronto debut with The Fabelmans: a wistful, and deeply personal film about his parents' divorce and his filmmaking career as an irreplaceable avenue for catharsis.īut the biggest coup was certainly Netflix's new Knives Out film, Glass Onion which features Daniel Craig's return as Inspector Benoit Blanc and an ensemble of would-be murderers including Kate Hudson, Ed Norton, and Janelle Monáe. La La Land director Damien Chazelle took a break from the editing suite to debut the fever dream trailer for his 1920s Hollywood epic, Babylon. Jordan Peele introduced a special IMAX screening of Nope alongside cinematographer Hoyte van Hoytema to help Universal launch an Oscar campaign for his summer extravaganza. Glass Onion: A Knives Out Mystery, The Woman King, and a major studio's first gay theatrical romcom Bros made their international debut in Toronto, with full casts in attendance and rapturous audience reactions. This year, though, as opposed to smaller, idiosyncratic and independent cinema that led the way through Covid, it was Hollywood studios and celebrity entourages that led the march back into sold-out cinemas. Structured as a sprawling public festival with sidebar industry meetings and critic-led buzz, Toronto has become the leading bellwether for the annual award season, where commerce and art converge. After two years in the dark, with movie theaters shuttered and studios in existential struggle, the Toronto International Film Festival returned this week with a blockbuster, largely unmasked edition. Steven Spielberg's love song to his late parents.
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